swap to chronological order of most recently modified
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lots of macro techniques to be learned now, so I can get deep into macro bugs next spring!
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Testing more paper by sending the wizard to a very, very colourful realm:

click here to buy a print of this piece This paper test was scaled up to 9 x 12″, and it was on Strathmore’s 400 series mixed-media paper, which friends of mine who do water media colour on their comics recommend highly!
And it really is lovely for mixed media, but my gosh it was easy to accidentally lift all my gouache right back up at first, especially after using the 100% cotton paper on the last two wizards! This mixed media paper is very very smooth and heavily sized; paint just doesn’t sink into it. That might end up being my preference, because once you know what you’re dealing with, it is manageable, but I’ll do a few more tests before committing, I think.
Also as mentioned in the prior post, I wanted to switch from pencil crayons to neocolours, so I could trust them to be opaque, and I am delighted to report that yes, that is working great and I really can’t overstate what a joy the Neocolor II crayons are to use like this! I did need to sharpen them, which I know might shock some people, but to get precise linework I need a good point, and that’s just how I need to use them. They are especially dreamy on the smooth hot press finish of the mixed media paper, so I think my next test will be something with more texture so I can see what their limits are.
In terms of continuing to learn lessons about what I want to do with the gouache vs the crayons, I do really like the cute doodle-ish quality of the crayons on this one, but I may have gone a little harder than planned with the gouache and not quite hit the balance I’m looking for.
That said, I do really love this piece, and I am very proud of it! It’s the closest I’ve come so far to the vibes I want to hit, and also I just love a nice waterfall, y’know?
4 responses to “Paper Test Wizard Adventure #4”
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Further paper tests allow further wizardry – this time in a more contemplative mode, though.

A second test run with the hot press cotton paper let me get more expressive with my brushstrokes and try out more contrasting of the paint approach and the pencil crayon approach
This one feels maybe a bit over-rendered for the style I want? I think the linework on the wizard and the rocky ground is closest to my goal – the shading I added with the pencil crayons on the clouds and mountains isn’t really hitting as hard for me.
The other thing I’m wrestling with is how translucent even my most opaque pencil crayons are! It might be time to switch over to the neocolor iis so that I can feel confident in the opacity of the colours I’m laying down over my painting – but that is for SURE going to necessitate me painting bigger — much bigger.
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look at my incredibly powerful thumbs-up! it is so much work to do! So you may have noticed a dearth of arm updates, blogging on the experience, et cetera! I still have a lot to say, but one of the things about recovery is sometimes you hit … a kind of purgatory? limbo? holding state? a miserable stage where you are waiting to find out what’s next. And I spent about 10 months in that state, thinking I was likely to need another surgery to compensate for ways the nerve has NOT regrown, and that surgery was likely to be another couple years of recovery. It felt like I was looking at resetting all the progress I had made, and it really threw me for a loop!
I am now at a stage where it is looking like an additional surgery won’t actually be a helpful thing to do, which is helping clear my head a bit! To be clear: this doesn’t mean my hand is back to “normal” – it firmly is not! – but I’ve regained function that surgery would compromise, even as surgery could give me back other function I have not regained. Maybe someday I’ll explain this better, but it’s just another one of the really hard no-clear-win-condition decisions I’ve had to make along this journey, and right now I am honestly very worn out by it.
I have one more thorough check-in ahead of me before the surgeon hands me off for good, and I don’t want to make any HUGE plans till that’s done, but more and more it’s looking like my life going forward will be one with lots of daily physio exercises (the kind where you wiggle a finger ten times and then feel tired) and partial radial nerve function in my dominant hand. That’s what I have been vaguely expecting since the start of this, but it didn’t really MEAN anything until I got to this stage, if that makes sense?
I’ve talked a lot through the posts on this about how my status has been changing since the start, and how that is a very different experience than adjusting to a new chronic static condition. Now I am likely getting a good look at what nerve connections I will have in this arm for the rest of my life, and starting to get my head around what that is going to mean for learning to function around them (and that WILL be affected by the slow strengthening of what muscles have been successfully re-enervated, as they all atrophied down to nearly nothing in the past two years, but that will be less dramatic than the nerve regrowth process has been.) This is a more familiar state for me as I had a terrible ankle break in 2019 that took two surgeries over two years to get through, and I got to relearn to walk twice, and now six years later I know what that ankle can and can’t do, and I also know how much better I have gotten at using the function it DOES have.
So I am not, like, overjoyed at going forward with partial use of my dominant hand after all this, but it is still: a) better than slowly but steadily losing my radial nerve irreversably, which is what we prevented when we started this whole process; b) better than longterm chronic pain in that hand, which is a real risk of additional surgery; c) not actually apocalyptic, which I think, if you have kept an eye on this blog in the past year, you can see playing out.
These days, with my dominant hand, I can draw, though not the same way I used to. I can write, though it’s slower and more messy than it used to be. I am relearning to type, and I am mad about how slow and clumsy and awkward it feels, but I am doing better than hunting and pecking with my index finger and that’s worth celebrating. There are some things I switched to my left hand after surgery that I am leaving in the care of my left hand for now, maybe forever, and many of them are tasks that require strength AND dexterity, like pouring the kettle, or lifting a hot frying pan, or brushing my teeth. And I am confident that, between physio and just the slow process of daily use, I will get better at using the hand I have. I don’t know how MUCH better; and I do know that I am now more vulnerable to overuse and other types of injuries. But there is a huge relief to be had knowing that right now, things with my hand are not going to be getting worse.
It sure has been a real mindfuck though – and likely will be going forward as well, as I give myself space to safely react to things I was trying to kind of ignore while in limbo. And I do have a lot of thoughts I would still like to write out on the surreal experience of all this, in hopes that anyone else weathering Medical Oddity Life can find some comfort and fellow-feeling amongst the giant pile of words. So I’ll be back with more arm stuff I think, but probably not until after that final checkup in February.
Thanks again for reading along! Take care!
21 responses to “two years of arm stuff? 26 months of arm stuff, more precisely…”
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(what the hell happened to your arm, you ask? allow me to share the original post, from 2023: http://www.portablecity.net/some-arm-news/)
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Another paper test as an excuse to paint this wizard doing a little treasure hunting in a dark forest.

For this one I switched to a hot press, 100% cotton paper and instead of wrestling with lifting, got instead to fight with how aggressively absorbent the paper is! It’s wild how much water it will hold. Gouache doesn’t always like water, so this ended up being a very different experience!
The pencil crayon sat on top of the hot press paper much better, though, and I really like how I was able to get some cleaner linework in in addition to the more textured pencil crayon fills.
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I have some new papers to test out and how better to test them than to paint a wizard on a journey? Here’s their first stop, a quiet forest:

I want to sort of fine tune my gouache plus pencil crayon/neocolor/pastels etc process into something i can rely on well enough to try flexing in other ways, if that makes sense? and I think I’m getting there with gouache finally, which is exciting!
This paper is really, really thin for any wet media use — 163g according to my research — but it is still absorbent and has a cold press texture on the front. It did make it hard to not constantly lift the gouache as I layered, but it also encouraged going right to Very Thick Paint by giving me enough tooth to pull thick gouache off my brush effectively.
The tooth is probably a bit too intense for small scale pencil crayon stuff though – it’s very hard to get clean lines and the texture is large enough compared to the drawing’s detail resolution to feel a little distracting to me. I do love how the tooth did encourage me to let the underpainting in red show through more though! Something to think about.
Overall though I think my professional gouache work will be at a much larger scale though so probably worth moving on and testing other papers.
2 responses to “Paper Test Wizard Adventure #1”
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Wow I learn so much from these posts it’s so cool!!
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Heck Linette thanks! I try to keep things interesting for folks beyond just “lookit this” on here <3 <3
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Toronto folks, this one’s for you!
Long story short, I now have a stall at the Danforth Arts Market, 1856 Danforth Avenue in Toronto. That’s between Woodbine and Coxwell stations if you’re subwaying over.
I’m selling my playmap blankets, comics, game zines, art zines, colouring books, two sizes of art prints, and also small framed originals!
I’ll be over regularly to top up stock and freshen up the display, so if there’s a particular art print, zine or original you’re hoping to get your hands on, especially for the holidays, drop me a line and we can make it happen!
I got approved for the spot for Nov 18th, so I’ve really been scrambling to pull this together the way I wanted, and I took a few process shots, if you’re interested!


First coat of paint! 
Second coat of paint! 
THIRD coat of paint?! 
New shelf! 
Hand painted hanging sign! 
More signage and blankets, zines and prints! 
Full zine selection on display! 
Original art and a sample blanket now hanging up as well! It’s so exciting to have a real physical space to go set up, tweak, be fancy and silly with, and more! And I have a hundred ideas for little themed displays, especially because I opened up my convention stock storage and found some lovely treasures that have never been offered publicly before!
Now, if you’re not in Toronto, the Arts Market can’t help you, but I have been working locally with some specialty shops to offer my comics and games more internationally! So, if you are not local but want my comics, definitely click over to the Beguiling! And if you want my games, check out 401 Games for pocket dungeon packs and Wolfspell, and Sword & Board for the zines!
I have also set up an INPRNT shop to sell art internationally! I’ve been building out the catalogue, but if there’s something you want and don’t yet see there, again, let me know and I will sort you out!
And I am getting more and more of my PDFs and digital goods up on my itch.io – I have a full spread of comics, games, art and more there now, and everything also has a few free community copies available!
I am working on my own online shop as well – the Sorcerer’s Catalogue – but with tariffs and VAT and other international shipping shenaniganry at an all-time high, it’s slow going figuring it all out and getting it to a state I feel confident launching publicly – but I swear, as soon as I do have it settled, I’ll make a real big deal out of it!
Till then, thank you again for supporting me and my work! And locals, I’ll see you at the market!
2 responses to “Joining the Arts Market!”
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So dope!!!! So awesome!!!
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I had the pleasure of contributing a couple environments to the early development of Young Suns, from KO_OP Games. Working with art director GP Lackey was great; we went from a broad brief to two specific pieces through a really rewarding process of tossing ideas back and forth.
Some process shots for your enjoyment, starting with the broad exploration stage:

The thumbnails we used to work up into the final art:


Definitely check out Young Suns when you get the chance!
Young Suns | Discover, Customize, Explore — Play NowYoung Suns is a 1-4 player narrative life sim set in space! Available now in Game Preview on Xbox Game Pass, featuring character customization, space exploration, and storytelling. Coming soon to other platforms17 responses to “Early Environment Concepts for Young Suns”
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This art is beautiful! I was already excited for Young Suns because of the cool narrative folks on it but now I have another reason to be excited for it.
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Ahh thanks Michael! I was a tiny tiny part of what I know is an amazing art team, I am also super excited for it!
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Laura posted recently about watching youtube videos of folks alone in nature, and keeping in her mind the reality that they are responsible for setting up, and taking down, every shot you see in the video – even if that means traveling the same route three times or more to get that effortless-seeming documentary contextual long shot:
https://blog.lauramichet.com/people-filming-themselves-in-nature
And it made me remember the Canadian tv show Survivorman, where Toronto local Les Stroud films himself solo in the wilderness in various survival situations. The first season came out while I was in undergrad and I fully imprinted on it – this was amazing, grounded-feeling information about wilderness survival, and it felt really relevant to a lot of the stories I wanted to write at the time! And I hadn’t really come across video content like this before – the show launched the same year youtube did, and probably didn’t intend to define this kind of content for decades to come? But wow it sure did.
But I wanted to share my favourite episode, and my favourite part of it, where Stroud explains that the real work, the hardest part, the bit that makes everything else higher stakes and more complicated, is the fact that he has to film himself:

This line, about hiking all the way out of sight and then back again for the camera, changed something fundamental in my brain:
This kind of thing is really, really important media literacy, and I suspect we need it more than ever these days, as we have to start parsing AI video and more. Shoutout to Les Stroud for making sure that he included this in his first season.


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