Year: 2018
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Annihilation and David Altmejd – an aesthetic of evolution, transformation, horror and beauty (TW: body horror)
I adored Annihilation‘s visual approach (among so much of it, gosh I just adored it overall really!) but as we walked out of the theatre, Matt and I realized we’d seen a similar visual theme at work elsewhere: at the MAC (Musée d’Art Contemporain in Montreal) when we caught a career-spanning solo show of David…
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Light Fingers Game Board Design Process
I had the good luck, back in 2016, of being part of the excellent team making Numizmatic Games’ Nintendo Switch release Light Fingers, as the concept artist, and one of my favourite parts of the whole project was designing the game board! You can see the final board here in motion; my concept design process…
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The Isle of Pelursk
The Isle of Pelursk is a mixed media piece from 2018, inspired by the Canadian Shield, twisted pine forests and strange lights at dusk. Created in graphite and Photoshop.
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Full Colour Yellow King RPG Book Illustration
This illustration was drawn for Robin Laws’ Yellow King RPG‘s Paris book, set on the balconies of Notre Dame as investigators attempt to survive a gargoyle attack. It was created in watercolour and coloured pencil, and took inspiration from the art of the era, including the symbolist and late romantic painters, as well as sculpture and…
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The Corruption of Pelursk – Pocket Dungeon Pack
The Corruption of Pelursk is a system-agnostic tabletop RPG hexcrawl/dungeon, written by Shel Kahn. The Isle of Pelursk holds a glowing, steaming, mist-shrouded secret at its heart, and once you’ve entered its clutches it does not want to let you leave. Designed to fit easily as a sidequest into an ongoing campaign or stand confidently…
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The Well-Dressed Woolly Mammoth
This heartwarming friendship came to life with a combination of textile inspirations from around the world, and time spent researching the fuzziest pleistocene megafauna. Watercolour on watercolour paper, 2017.
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It Came from Beneath the Mire
This monster came from too much heavy metal and some time in a sketchbook with my favourite pencils. After the drawing was done, I printed it out on watercolour paper to finish bringing the monster to life in full colour. Watercolour on watercolour paper, 2017.
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Winter Botryoidal Crystal Island
Painted in gouache on watercolour paper, 4 x 6″, 2017
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