swap to chronological order of most recently posted
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oil pastel pinterest study; i bought a pack of much firmer pastels and did the whole under drawing with those, and then layered the thick opaque pastels on top, and it really worked well!
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finally got some paper rolls for my label printer and started the important process of figuring out how to make zines with it 💪
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a 27qhd cintiq! complete with pen, stand AND express key remote!
seriously, I’ve already discovered how useful the remote is, it saved me yesterday during hours of setting up tiny assets in unity. it’s enormously more ergonomic for my partially paralyzed right hand than a keyboard right now and i wish I’d thought to try one much much earlier!
overall it’s beautiful and the extra screen real estate even makes game dev’s constant problem of too many apps slightly less annoying! not sure I’m back to full digital painting yet, but it was a great deal and i am glad i snagged it, even if it’s a bit earlier than initially planned.
anyone have any hot tips for min-maxing a Cintiq of this vintage?
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This is a great short breakdown into getting prints out of your label printer! Hope this helps folks hack theirs while I keep testing the limits of mine.
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For the past year or so I’ve been hosting a monthly remote lifedrawing/other digital art exercise session with my team at work, and I wanted to share this one with y’all because I think it’s been a really important exercise for me over the years and my team really got a lot out of it too!

So there’s two pieces you need: a black and white reference, and an unrelated limited colour palette.
I’ve just been grabbing the reference off of pinterest, because we’re not doing anything with these except practicing so copyright doesn’t really apply. The color palettes can be created however you want, there’s definitely some great tools online, but these ones I made by using the color palette from image tool in Procreate. you dropped any image you have and then it will generate you one of these color palettes from it based on the color spread and the color frequency. it’s a really great quick way to grab limited palettes from images that inspire you!
Anyways, with both of those pieces in hand you can get to work creating a study of the image using only colours you’ve taken directly from the limited palette, or, if you’re feeling generous to yourself, mixed from the palette on screen.
It’s a bit of a mental stretch at first, but you will quickly start to find different vectors for your decision-making: are you using the colours to try and create a realistic image? or are you grouping them by value? does it make sense to try and assign warm and cool to light and shadow? or are there objects in the frame that would benefit from a strong local colour?
For me, it’s a decent digital version of a standard limited palette exercise I might do in watercolour our other traditional media, where I limit myself to a few paints or crayons or such. I did this exercise a lot with the full colour By Crom! comics, and it’s been great to bring it to my digital work.

Speaking of digital work, this technique is the basis of a lot of the digital paintings I did in the past four or five years:






Let me know if you end up giving it a shot!
4 responses to “digital studies exercise”
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These are so gorgeous!! I love the use of light and color here.
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thank you! giving myself the limited palettes really did stretch my brain in ways I think were really worthwhile – I doubt I’d have gotten results I liked half as much just trying to reproduce these faithfully!
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thank you for sharing this! this was my first shot at one, but i definitely plan to do more: https://candiedreptile.club/picture.php?/3443/category/5
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whoah that’s so cool you took this idea and ran with it! I love the soft pallette you used, and you’re getting such nice warms and cools in the face and fluffy collar. Thanks for letting me know!
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reffing a lovely still life from unsplash, i believe.
done on slate blue 9 x 12″ canson mi-tients paper.
I’ve been doing a lot of underdrawing with the cray-pas expressionist pastels, which are a lot firmer, so they don’t layer that well with themselves but they behave really predictably underneath the rest of my pastels, and are still really quite lovely as a color spread themselves. I think this might be my new go-to process!
I might try giving this one a real glossy varnish, just to see how close I can get things to look to an oil painting. maybe doing that on paper is stupid, but worth a try!
4 responses to “oil pastel oranges”
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Beautiful!
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โ๏ธ
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oh wow that’s lovely!
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heck thanks!
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I was doing a sketch with this fountain pen, which has non-waterproof ink in it, and I decided to try washing over it with a water brush, and then painting over the tonal result with some gouache, which I haven’t done in a while. it ended up being a very enjoyable if very small painting!
6 responses to “tiny gouache view”
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what a lovely little painting
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thank you!
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Oh this is so sweet
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heck thanks!
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oh I love this!
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thanks!
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Shoutout to curious quail for this wonderful example of where thermal printing is fun and cute and useful!
Hunting Cryptids with Frame 352 (and a cheap thermal print camera) | quailblogAnalog journaling game meets toy receipt paper camera – just in time for October
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One of my ongoing interests is making storytelling toys for the kids in my life – and for me, playmaps on rugs or blankets are one of the first storytelling toys that I remember from my own childhood.
I’ve had the good luck to make maps with excellent friends like Evlyn Moreau and to get feedback on them from kids of all ages.
While I do not always keep them in stock, all of the maps have been available and will be available again someday in the Sorcerer’s Catalogue!
Here’s a gallery of my maps so far:




I’ve been lucky to receive enthusiastic feedback on these overall!
Photos here used with permission (and if you would like to revoke permission – or submit photos of these maps being used and loved – please email me!)





I’ve always got more ideas percolating, but if you are interested in these and want to know more, I’ll collect all my writing on the subject below:
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I’ve been trying to follow my more inscrutable whims, and found this ref on unsplash that seemed both epic and goofy at the same time, and had to paint it.

I painted this on stonehenge cotton rag printmaking paper; this isn’t the best paper for watercolour and I needed to add white gouache to get this piece wrapped up, but I’m decently pleased with it still!
Once again I used a very limited palette – cobalt blue chromium, chinese orange, anthroquinone red, lemon yellow, indanthrone blue, van dyke brown, perylene green, cobalt green deep – and white gouache, and a few spots here and there of other paints as I tried out expanding my palette and then dialed it back usually immediately to this core range.


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