
delightfully sunny alleyway
by definition, not static
reprioritizing / replanning / restructuring

delightfully sunny alleyway

Visited a beautiful and slightly apocalyptic building at the perfect time of day.

My friend bought the absolute cutest bike and has kindly invited me to photograph it whenever. And I loved the warm light here especially.

playing with long exposures and wrangling values after to make things feel more nostalgic.

I love a dramatic sky!

Love this creek at golden hour.

fucking around with extreme colour grading in lightroom and having a very nice time!
This short horror comic by Scott Base is making the rounds on tumblr again! and as it has haunted me for years, I feel it’s worth sharing:

Drawn with my non-dominant hand:

i am starving for all the “how to art direct but not at a AAA company” content the universe can provide, certainly so i can continuously get better at my job, but also because I don’t yet have a language for what I’m doing all day every day at work and, like in this Lee Petty talk, I often unlock awareness of decisions I’m making simply by giving them a name.
Would love any recommendations! I’ve dug through gdc’s youtube archive and hunger for moooooooorrrrre
please, please, please god, please, put your website address on all your social medias
and then
please,
please, please,
PLEASE
put your email on your website
I’ve been trying to nurse a sketchbook habit back into existence this year, and one of the things I desperately miss is a place where I can share drawings as ideas and not as achievements.
This piece was painted using textural chalk and pastel brushes in Procreate.


Digital piece, never quite finished.

Speedpaint sketch exercise; digital.
Ink on paper, 8 x 8″, 2017

This drawing on cream paper is an exploration of the Crystal Island concept to include people. The figure creates a psychogeography of the landscape.
The landscape in this drawing was taken from reference photos of French River Provincial Park, an absolutely gorgeous place in Ontario, Canada. There are delicate tall pines and windswept shrubs and bushes along the shores of a rushing river, passing through a deep gorge. Despite the speed of the water and the constant wind, the place feels still and isolated and special.
This gouache painting is about 7 x 9″ in size, on watercolour paper. It’s an exploration of the geological identity of some parts of Gros Morne National Park, in Newfoundland, Canada. The green serpentine crystals are growing from the granite and serpentinite mix of Gros Morne, specifically the Tablelands. The dark spruce and fir trees are silhouetted against distant hills and rolling fog. This piece is my love letter to that gorgeous park and the sense of magic it has.